I have a postcard above my desk of a photo Lee Miller captured of the opera singer Irmgard Seefried. She is singing an aria from Puccini’s Madame Butterfly in the bombed-out remains of the Vienna opera house in 1945. The image embodies the words of the cellist of Sarajevo, Vedran Smailović, when asked how he could continue to play music when bombs are being dropped all around: ‘No, the question is how can people drop bombs when there is such beautiful music?’
In 1899, the…